in duo/trio
Soy Tierra
Borja Flames, voice, tar, objects, Barbara Dang, piano
The Spanish composer and singer Borja Flames and the pianist and improviser Barbara Dang met during a tribute to Moondog. From this encounter, Soy Tierra was born, a project exploring contemporary South American and Spanish poems (Cristina Peregrina, Edgar Luján, Berta García Faet...). Borja Flames blends singing inspired by Iberian traditions with spoken-word, while Barbara Dang experiments with a piano enriched by various sound elements (stone, metal, wood...). Together, they weave a sonic universe between introspection, the cosmos, and human relationships.
Tombée for harpsichord solo
Jean-Luc Guionnet composition, Barbara Dang performance
Tombée is a composition by Jean-Luc Guionnet dedicated to Barbara Dang and her double-manual harpsichord. This project blends various musical influences and revisits the baroque dance suite using innovative playing techniques. It is a musical labyrinth, where each note represents a step in a complex structure, and the harpsichord becomes a space to explore. A metaphor for the musical quest, where the exploration is as important as the destination.
ARIO
Barbara Dang, harpsichord, David Boinnard, instrument maker, mechanized virginal, video, voice, typewriter...
ARIO for hARpsIchOrd : neither a concert nor a conference, but a performance where the harpsichord reveals itself...
Dang/Romary
Barbara Dang, piano, Aude Romary, cello
Aude Romary and Barbara Dang pursue an experimental musical approach, blending free improvisation, minimal music, and contemporary composition. In this cello-piano duo, they explore the limits of their instruments to create an improvised score that is both noisy and sensitive
Duo AGNel/DANg
Sophie Agnel, Barbara Dang, four-hand piano
Sophie Agnel and Barbara Dang, through extended piano techniques and string playing, combine free improvisation with written compositions. After their 2016 meeting with Tom Johnson's Symmetries, they present a four-hand program, blending works by Pärt, Feldman, Bley, Mompou, and improvisation.
Abdou/Dang/Orins
Sakina Abdou, saxophones, flute, Barbara Dang, piano, Peter Orins, drums
A trio. A saxophone. A piano. A drum kit. Notes. Noise. Maybe melodies. Definitely repetitive. Altered instruments. Pure sounds. Reversed timbres. Depth, backgrounds. Maybe some foreground too. Minimal. But full. Organic, humid, alive. Suspended, tense, delicate. Time stops, yet continues. Sakina Abdou, Barbara Dang, and Peter Orins use minimalist techniques and very low volumes to explore the timbres and extended techniques of their instruments
Deux( )
Gordon Pym, objects, electronics, Barbara Dang, piano, objects, electronics
deux( ) is a project dedicated to performing experimental pieces...
KEZN
The Kezn project aims to revisit notable compositional processes in experimental music and derive a visual equivalent. The goal is not to provide images for music or to visualize musical effects, but to treat sound and light through a unique process. The constraints of each medium and our senses shape the contours of this analogy.
Jacqueline
Barbara Dang, piano, Mimosa, guitar, lap steel, Anne Sortino, violin
A musical cocktail with white wine, grenadine, and lemonade mixed...
DAN/GO
Barbara Dang, piano, virginal, Raphaël Godeau, guitar, mandolin
DAN / GO is a piano-guitar duo. The music is improvised. The piano is open, and the guitar has six strings. Together, they create a blend of resonances that smell of wood and metal heated by hand.